Thursday, November 15, 2007

The tide is turning



There was an interesting article in the newsletter this morning sent round by Jerry Simmons to those who subscribe to his website http://www.writersreaders.com/ I felt compelled to post it here, as it shows how the tide is turning not just here in the UK, but in America also. Writers are tired of slogging their guts out for a pittance and want what should be rightfully theirs.

Conservative Authors Sue Publisher By MOTOKO RICH Published: 11/7/07

Five authors have sued the parent company of Regnery Publishing, a Washington imprint of conservative books, charging that the company deprives its writers of royalties by selling their books at a steep discount to book clubs and other organizations owned by the same parent company.

In a suit filed in United States District Court in Washington yesterday, the authors Jerome R. Corsi, Bill Gertz, Lt. Col. Robert (Buzz) Patterson, Joel Mowbray and Richard Miniter state that Eagle Publishing, which owns Regnery, “orchestrates and participates in a fraudulent, deceptively concealed and self-dealing scheme to divert book sales away from retail outlets and to wholly owned subsidiary organizations within the Eagle conglomerate.”

Some of the authors’ books have appeared on the New York Times best-seller list, including “Unfit for Command: Swift Boat Veterans Speak Out Against John Kerry,” by Mr. Corsi and John E. O’Neill (who is not a plaintiff in the suit), Mr. Patterson’s “Dereliction of Duty: The Eyewitness Account of How Bill Clinton Compromised America’s National Security” and Mr. Miniter’s “Shadow War: The Untold Story of How Bush Is Winning the War on Terror.” In the lawsuit the authors say that Eagle sells or gives away copies of their books to book clubs, newsletters and other organizations owned by Eagle “to avoid or substantially reduce royalty payments to authors.”

The authors argue that in reducing royalty payments, the publisher is maximizing its profits and the profits of its parent company at their expense. “They’ve structured their business essentially as a scam and are defrauding their writers,” Mr. Miniter said in an interview, “causing a tremendous rift inside the conservative community.”

Traditionally, authors receive a 15 percent royalty based on the cover price of a hardcover title after they have sold enough copies to cover the cost of the advance they receive upon signing a contract with a publisher. (Authors whose books are sold at steep discounts or to companies that handle remaindered copies receive lower royalties.)

In Regnery’s case, according to the lawsuit, the publisher sells books to sister companies, including the Conservative Book Club, which then sells the books to members at discounted prices, “at, below or only marginally above its own cost of publication.” In the lawsuit the authors say they receive “little or no royalty” on these sales because their contracts specify that the publisher pays only 10 percent of the amount received by the publisher, minus costs — as opposed to 15 percent of the cover price — for the book.

Mr. Miniter said that meant that although he received about $4.25 a copy when his books sold in a bookstore or through an online retailer, he only earned about 10 cents a copy when his books sold through the Conservative Book Club or other Eagle-owned channels. “The difference between 10 cents and $4.25 is pretty large when you multiply it by 20,000 to 30,000 books,” Mr. Miniter said. “It suddenly occurred to us that Regnery is making collectively jillions of dollars off of us and paying us a pittance.” He added: “Why is Regnery acting like a Marxist cartoon of a capitalist company?”

In an e-mail statement, Bruce W. Sanford, a lawyer with Baker Hostetler, a Washington firm representing Eagle and Regnery, said: “No publisher in America has a more acute marketing sense or successful track record at building promotional platforms for books than Regnery Publishing. These disgruntled authors object to marketing strategies used by all major book publishers that have proved successful time and again as witnessed by dozens of Regnery bestsellers.”

The authors also say in the lawsuit that Regnery donates books to nonprofit groups affiliated with Eagle Publishing and gives the books as incentives to subscribers to newsletters published by Eagle. The authors say they do not receive royalties for these books. “You get 10 per cent of nothing because they basically give them away,” Mr. Patterson said in an interview.

The authors argue that because at least a quarter and as much as half of their book sales are diverted to nonretail channels, sales figures of their books on Nielsen BookScan, which tracks about 70 percent of retail sales but does not reflect sales through book clubs and other outlets used by Eagle, are artificially low. Publishers use these figures when determining future book deals, and the authors argue that actions by Eagle and Regnery have long-term effects on their careers.

Mr. Miniter said that when he was negotiating a book deal with Threshold Editions, a conservative imprint of Simon & Schuster, he could have gotten a higher advance if BookScan reflected the true quantity of sales of his books. According to BookScan, Mr. Miniter’s “Shadow War” sold 46,000 copies in hardcover, and “Losing Bin Laden” sold 36,000 copies in hardback.

Mr. Miniter, who spearheaded the legal action, said he became aware of the discrepancies in royalty payments while defending a separate arbitration initiated by Regnery over a canceled contract. Mr. Miniter said that during the arbitration, which is pending, he saw royalty statements in which it appeared that about half his books’ sales had not gone through stores, and that his payments for those sales were much lower than the payments for bookstore sales. He contacted other Regnery authors and learned that they saw similar patterns on their royalty statements.

Joel Mowbray, author of “Dangerous Diplomacy: How the State Department Threatens America’s Security,” said he was particularly disappointed in Regnery and Eagle because they had so championed conservative authors. “These guys created the conservative book market,” Mr. Mowbray said. “Before them, conservatives were having to fight, generally unsuccessfully, to get books published.”

The authors, who say in the lawsuit that Eagle has been “unjustly enriched well in excess of one million dollars,” are seeking unspecified damages. But Mr. Miniter said, “We’re not looking for a payoff; we’re looking for justice.”

Copyright Jerry Simmons 2007.

This will be one to watch I feel, as it could have interesting implications not just in America, but for the industry as a whole right across the world. Personally I say good luck to them ....

Wednesday, November 14, 2007

78 book stores, 300 copies and counting ....



A funny thing has been happening these past few days with regard to the number of books showing as in stock with Gardners. Last week when I checked it said they had 11 in stock, so having secured orders from a few more stores, I was bracing myself for another email from Richard informing me that they had ordered some more. Then I checked again on Monday and found the number in stock had risen to 19...

Had they had some returns already I asked myself? They shouldn't be coming back this early, since the book has only been on sale or return since August 13th, just over 3 months now. I wouldn't expect returns to start coming back until at least the New Year. Then this morning when I looked again, the figure had risen yet again, this time to 35. What is going on.

After tormenting myself all night about this and wondering what on earth is happening, I came to the conclusion that the only way I was going to know was if I rang them. And so that is what I did. They were quite helpful as it happens, even though they could not tell me much (confidentiality and all that). One of the biggest draw backs of POD is that you cannot log into such systems yourself, since you are not the publisher. I wish I had known this when I signed on the dotted line, not that it would have made much difference anyway.

They confirmed though that the only returns they have had were for a few books damaged in transit - this always happens in small amounts, and it is around the figure you would expect so they told me. The sales woman told me in fact that based on the figures she could see in front of her, she would recommend the book to anyone who rang up as a popular title, so that has to be good. I am still no nearer then to knowing what is going on and what lies beneath the yo yoing figures, but at least I know they are not due to returns !

I have had a busy day today then - starting ringing round first thing this morning, since I had been told that this would be the best time to reach the manager at Waterstones in Cambridge. It turned out to be a good decision, since he agreed to order some, and so I rang some more shops and then some more again. By about 10.30, having secured orders from Enfield as well, and also ascertained that Bristol Galleries had some in stock that I didn't know about, off I went to Tescos to fill up our fridge.

Got back just after midday, unloaded and then dashed into town for lunch at our favourite tea shop, and for Coran to pay in some cheques, and then got back home around 2.30ish to make yet more calls. I managed to secure another order from Chester and also had some enlightening conversations with Same Day Books in Chertsey and Worthing respectively. The Manager at Chertsey asked me to email him the link to my website so that he can have a read of the sample chapter and Worthing will remind their Buyer to review the information that I posted to him at the end of October.

We had quite a long conversation as it happens, and they sound like a nice company to to business with and very local author friendly. Chertsey is a lot nearer than Worthing, but even they are only an hour away, so it is not outside the realms of possibility that I may be able to do an event there. I know at least one person who lives in the town, who also happens to be medium and I also have friends in Brighton as well , who as far as I am aware, are yet to get their own copy. We shall wait and see anyway, I am sure the universe will respond, as it usually does in its own inimitable way ....

78 book stores then, 300 copies and counting ....

Sunday, November 11, 2007

Trouble at Bloomsbury?


The publishing world is buzzing with the news at the moment that Bloomsbury Press are to make 8 people redundant, primarily in their marketing department. They claim that this has come about largely as a result of the demise of Harry Potter, although we all know, that as a public limited company it is more to do with keeping greedy share holders happy with their investment. Some are even saying that the company may be the subject of a takeover with Pearson the owners of Penguin, the most likely candidates.

Agents are questioning some of the company's more recent acquisitions - Publishing News mentions £1 million paid to Take That singer and songwriter Gary Barlow, and £400,000 for David Blunkett. Nice work if you can get it.

It seems to me then that if the company is in trouble, then this is the real cause of it all, and nothing to do with the demise of Harry Potter. I mean £1 million for a book detailing the memoirs of celebrity singer that will be off the shelves within 6 months of launch? £400,000 for the memoirs of an adulterous MP - is this really what these people are worth, and do their books really sell in these amounts. If so then it says an awful lot about the mentality (or lack of) of the great British public. If you want my honest opinion, it is all just a flush in the pan. The future does not lie with these pile em high and sell em cheap celebrity memoirs, but with the slow and steady sales that come from back list titles that can be relied upon from year to year. There does seem to a change going on in the industry at the moment and a move towards acknowledging the importance of these titles and that is a good thing too.

Don't get me wrong, we do need fresh new blood in the form of new and interesting books, but that is my point. Most of these books may be new, but to the majority of the reading populace they are just not interesting at all. People have better things to do with their time than sit around and read celebrity memoirs and other such rubbish. They may appeal to a certain brand of 20 something Heat magazine reading blondes, but these readers are very much in the minority. It is the baby boomers of my age (40 somethings) that they should be catering for much more, as not only do we have the spending power to buy many more books, but there are also far more of us ....

Everything though today seems to be aimed at the young - I hear it all the time - young people this, young people that, well most of them wouldn't be here if it wasn't for their slightly more middle aged parents - and we don't get a look in ! Our time though will come, as everything moves in circles.

On a personal note, I have been offered a job ! Before you get too excited I am not going to be the Acquisitions Editor at some big publishing house, but a part time sales consultant for a local retailer.

The job is not particularly well paid (the basic salary is just above minimum wage), but with bonuses the opportunity is there to earn a lot more. Apparently their top people can earn bonuses of several thousand pounds (perhaps I will be able to afford an ad in the Bookseller!).

The hours are 10am to 3pm 4 days a week (Monday to Friday), which means that I will still be home in time to carry on my telemarketing campaign. The best time to make these calls I have discovered is late afternoon, as Managers tend to have meetings with reps in the morning and then have late lunches. I start on Monday 19th November. Wish me luck!

Thursday, November 08, 2007

Peeing cats and dogs



It is peeing down with rain as I write this, and watch it cascading down my window in rivulets. It has been threatening all day, which is probably why it was so quiet at the National Trust today. Regular readers will know that I work as a volunteer in their shop each Thursday. It is a good way to put something back into the community and takes me out of the routine of ringing book shops etc for at least one day per week.

Although such shops are open at the weekends and theoretically I could ring them then, as well as during the week, it never seems a good idea somehow. Firstly because I know they will probably be too busy to talk to me anyway, but secondly because I like to have weekends off myself as well. Coran and I work hard all week and I think we deserve this.

He has been having some problems with his arms and wrists lately which is a bit of a worry, as it seems like the onset of the next stage of RSI. Mind you, in some ways this is to be expected, since he has been in the software business for over 30 years now, having worked his way through the ranks at the BBC until his redundancy in 1994 forced him to go freelance. He woke up this morning though having slept on his arm as one often does and several hours later found it had still not woken up. So he made an appointment to see the Doctor and they want him to go to Hopsital for an X-ray tomorrow afternoon, just as a precaution and to rule out anything more sinister. I am amazed that he could get an appointment for the following day myself given the waiting lists that seem to be in the news these days.

I suppose though that RSI is also a by product of the writers life, and I must admit that I do have problems with my right arm and wrist at times. I have tried training myself to type with the left hand, as Coran sometimes does, but so far without success. I hope the worst doesn't happen to me though, as I can't see me spending the rest of my life without being able to write - that's just too depressing to even think about. I could always get one of those things that writes what you tell it to though - I can't remember what you call them now, but I am sure readers will know what I mean!

There is not really that much to report then for the last few days. I have done the usual amount of ringing round and have a few more orders from other branches of Waterstones - Aberdeen Langstane have ordered 4 copies, and Cirencester and Crewe one copy apiece. My local branch has also ordered one. Every little helps.

I get the impression that the Manager at my local branch doesn't like me very much! I am not sure why but she always seems to avoid me. Every time I have tried to ring and get her on the phone it is either her day off or she is in a meeting, and each time I go in and ask for her I am told the same thing! Half the time I know that she is there though because she pops her head round the door after a few minutes while I am still in the shop browsing, blissfully unaware that I know what she looks like !

Thankfully her staff and her Assistant Manager are a little more helpful. I was under the impression that when a book is sold through Waterstones, if this is the only copy in stock then it triggers an order for another one, but this does not seem to be the case. I sold one copy in September after an excellent article in the local paper, and was told by a female staff member that another would be re-ordered to replace it, yet when I asked them yesterday how many I have sold in total they told me that no more had been delivered since that first sale.

I know it is a small store and all that, but I am a local author and a very active one at that, who has proved by selling one copy (and several copies in other local branches) that there is a potential market for this book. I have also managed to secure good local press coverage on an ongoing basis (I am after all the editor of my own community newsletter in one of the outlying villages). I get the distinct impression that this Manager for some reason just does not want to stock my book. Perhaps she thinks I am too pushy? Next time I go in there I have to walk up to her, put on my best smile and change her perceptions.

All in all though this branch is one very small fish in a large pond and not worth worrying over unduly. I have enough other branches now who are stocking the books to be able to make a sizeable impact and also be primed for when those national newspapers print reviews of the books that I sent them the other week ....

Tuesday, November 06, 2007

Foyled at last!

If you are wondering why I haven't posted for a few days, it is because Coran and I have just got back from a lovely long weekend in Glastonbury. We tend to get two reactions when we tell people we are going there - either the eyes glaze over, or people ask us if we are going to the music festival - in November - I don't think so!

During the 10 or so years that I have been visiting the town though, I have observed it gradually becoming more and more commercialised. Apart from the book shops, and the Goddess shop - The Goddess and the Green Man, everything seems to be the same. Crystals, new age velvety type clothes, incense, candles, trinket boxes, cards, the same old stuff with nothing really all that new or innovative. Sometimes the new age doesn't then seem so new after all. Even the cafes all tend to do the same old stuff - garlic bread with salad, burger with chips, nut roast with all the trimmings (I suppose it makes a change from a plate of vegetables though, minus the meat).

I had been sort of toying with the idea of going to the annual Questing Conference which was held this year the town's Assembly Rooms - a venue which was far too small for an event of this size and calibre. Normally when it is held in London, the conference attracts up to 50o people, but the Assembly Rooms struggle to accommodate 200. I doubt very much then that I would have been able to get a ticket on the door anyway. One of the ladies who was also staying at the Chalice Well Lodge was called Lynne, and she went along having bought her ticket in advance, and said that as interesting as the talks were, by the end of the first day (it went on from 10am to 8pm) she was flagging. I am not surprised. I feel sorry for the last few speakers of the day, who would not have had much of an audience, especially with all the fireworks going off outside.

Coran and I wandered in on Sunday afternoon, after our nut roast in the Cafe Galatea to have a look at the stalls. I had a stall myself at last years conference near Regents Park for which I paid the princely sum of £90 (they must have seen me coming). I made quite a large loss then on the day. The stalls for this year were cheaper at £50 for the 2 days (10am to 8pm on Saturday and 10am - 4pm on Sunday). Even so, I am still not convinced that I would have covered that cost,
not to mention the cost of accommodation and petrol to get down there.

There was the usual array of stalls though selling books by the various speakers and jewellery etc, but there was also a stall from an extraordinary talented lady Gothic artist named Anne Sudworth. Anne is famed for her Gothic fantasy artwork with moonlit night time scenes of trees and strange creatures. She looks quite fearsome with her black hair entwined with white beads and thick make up - so many layers of mascara and at least four shades of lipstick. What a lovely lady though she is and so different to the outer persona - very softly spoken and almost gentle, yet a strong business woman at the same time. Coran bought a copy of her latest book which she gladly signed and we exchanged business cards as well. If I had had the money and somewhere to hang it, I would have loved to have bought one of her prints - the originals she told us sell for up to £1800. Fantastic work that you have to see for yourself and a very talented and beautiful lady with the most extraordinary energy.

One of the other reasons though for going was of course to visit the book shops in town - Growing Needs are already stocking me I discovered, as I emailed them some time ago. It looks as if the Chalice Well book shop will be ordering as well today, since they do deal with Gardners, and Labyrinth Books will too, as soon as they can open an account. They would have bought direct from me had I been able to offer them the 35 percent discount that they needed - the most I can go to though is 30 percent before it becomes unviable - I would be making less than £2 a copy and could still end up having to pay for return postage if they books didn't sell. Gothic Image were also given information and will be receiving a follow up phone call some time later this week.

A few things seem to have happened then in the book trade these last few days. The big news I suppose is that it looks like this will be Richard and Judy's last season with their morning show. They are though talking about a move to Channel Four instead, so all is not lost. Hopefully the same will be said for Simon Key and Tim West, two ex colleagues from Waterstones in Wood Green, who following the stores closure in August are about to open their own independent book store just up the road, also in Wood Green. They are asking for publishers to get in touch with suggestions for back list titles that they can stock, since they know that this is the largest share of the market - I will have to have a look than at the genres that they are seeking, and if one of them is mine, I will get in touch, and suggest that Richard does the same. It may be a possible venue for the book club that he mentioned at the recent anniversary dinner.

Looking at Grumpy Old Bookman though today, I noticed some comments that he had posted last week (Thursday) which I must have somehow missed, about Foyles, the oldest independent book seller in London. This takes the form of some comments made to the wife of one of his regular readers, who contacted them with some suggestions as to how to improve their website. The reply that she received is breathtaking in its arrogance, and I can't wait to contact their book buyer later on today to follow up that email I sent some time ago .... In particular this lady asked them why they do not encourage bloggers and authors to set up links to Foyles website rather than amazon. They said:

"Many of the links to Amazon do come from small self-published and independent works, and as a small business we often do not have the capacity to process orders for such titles. Many small publishers or self-published authors require payment for multiple copies of books or payment by cheque before they release orders. Amazon can afford to keep reserves of these small titles in their large warehouse if ordering multiples, whereas we do not have this capacity. These are authors who need us, rather than vice versa, and thus offer these links free."

These authors need us more than we need them! Hang on a minute - if it wasn't for us writing our books then they would have nothing to sell in the first place. They act as if they are the only book seller in the country, when they are a comparatively small fish. While it would be nice to be stocked by them, I certainly won't lose sleep if I don't manage it, but they might lose valuable long term back list sales .... I think they are very wrong indeed then to say this.

As for notion that we are awkward as we demand payment for our books up front, well it just shows how little they know about the industry the are working in. For one thing, amazon do not have a warehouse of their own, all their titles are obtained from wholesalers in the same way that book stores get theirs - you do not supply amazon then direct and as usual this person is talking out of the thing that he (only a man would be so stupid as to say this!) sits on! Why the hell though shouldn't we expect to be paid before we release titles to them that we have written. I can just imagine going into one of their stores and saying I will pay you for this book in three months time after I have decided whether I like it, no it wouldn't wash. Yo would be arrested for shop lifting. This just then goes to show just breathtakingly arrogant these people are and exactly what people like me and my friend Tracy Saunders are up against every day.

The comments though speak for themselves, enough said ....

Thursday, November 01, 2007

Is it worth it?



I had a long email from my friend Tracy Saunders earlier in the week, who lives in Spain. She is currently going through the process of publishing her own book, on Christian martyr Priscillian with I-Universe, (A US based print on demand provider who recently merged with Authorhouse). Like many other authors, she is going through the phase of what's it all about, and have I done the right thing, will it be worth it all. I remember it well, as it is something I and a thousand other POD (and no doubt commercially published) authors go through almost every day of their writing lives. I have said it before, that you don't have to be mad to do this, but it certainly helps. I lost my marbles a long time ago, and they are currently rolling about on the floor of the Lightning Source printing plant in Milton Keynes ...

Tracy makes the point though that how are we to ever get over the POD stigma so that we can compete on not just an even footing, but be taken seriously as authors. It is a tough one to answer, as it depends not just on the quality of your writing (which is very much a subjective thing anyway), but also on being seen in the right place at the right time by the right people. This is difficult enough for commercially published authors let alone POD ones. It also though and perhaps more crucially, depends on the opinions of others. The problem is that people still remember the bad old days of vanity publishing, where the books were badly written and poorly produced, but times have changed. A lot of people though have not moved on from those times. This is where we have to work that much harder at changing perceptions.

Where though do you begin? The book buying public do not care how the book they are reading was published, only that is it interesting and affordable. The problem then lies not with the book buying public but with the book trade itself. Hard working POD authors and some of the recent success stories have helped, but most of all what the POD author needs to be do in order to be taken seriously on any level, is to write a damned good book, and get out there and promote it in as professional a way as possible. This is not easy when you are also trying to manage a house and a business, as Tracy is, or in my case when you have no other source of income and everyone keeps demanding free copies before they will make a buying decision.

It is true that the vanity stigma is much more of an issue for American writers, and attitudes here in the UK do seem to be changing fast. Personally I have found the supply chain to be by far the biggest problem, as have the few of you that have voted in the poll on my other blog site. It is not so bad here because we have chain stores in the form of Waterstones, Borders and WH Smiths. Waterstones are easy to get into, Borders and Smiths less so. Spain though has none of these chains, and Tracy's book is not in Spanish, the native language, but written in English.

Spain she tells me, has just ten Bookworld Espana shops (she plans to break out her shortest skirt to visit the main buyer), with very few independents. Fortunes are not made on this. They are not though made on the 300 odd copies I have sold either (not when they are sold at 55 percent discount anyway).

She goes on to ask me the question as to whether it has been worth it all. This again depends on your point of view and why you are doing it. A lot of the things that I am doing now I should have been doing when my book first came out, but neither I nor the book was ready for such exposure. I thought I knew the publishing industry and how it worked, but I didn't, I was just playing at it. I did very well considering, with the limited resources that I had, as well as most other POD authors anyway, but not that many are seriously prepared (or have the time) to do anywhere near the amount of work that I am now doing.

To go back to Tracy's question though - is it worth it all? Of course it is. Writers write not because they want to, but because they have to - it a compulsion that we have inside us that can no more be ignored than the impulse to breath. It is who we are, and what makes us tick, what makes us leap out of bed in the morning, what makes us shout at our partners to scribble down the ideas that always come when we are in the shower. It is the reason we are alive. For the truly serious writer, life and writing are the same thing and you simply cannot conceive of one without the other. It is the reason we are here to share that gift.

Wednesday, October 31, 2007

Anyone for non fiction?



Reading the various news articles on The Bookseller website this morning, I noticed one in particular on some of the peer review sites that have sprung up in recent months as a means of authors circumnavigating the slush pile. The best known of these is perhaps You Write On, which is sponsored by the Arts Council. Authors are asked to submit one or two chapters for review by their peers, with the premise that agents and those in the book trade regularly scour such pages looking for new and upcoming talent. Apparently several deals have been struck by such means. You Write On is by no means the only site, as there are quite a few of these projects now. Harper Collins plan to launch their own such site http://www.authonomy.com/ in February next year.

None of these websites though cater for non fiction and in fact, when you think about it, there are remarkably few resources for non fiction writers at all. The reference section in Waterstones and Borders (and no doubt smaller shops as well) is crammed full of books on how to write a novel, how to write a book proposal, how to do this and how to do that, but try finding a book on say research for non fiction writers and you are hard pressed (no pun) to find any. Some of the larger branches may have a small selection, but by and large you have to look elsewhere (which means the Internet) for such titles.

I find this incredibly irritating and frustrating for several reasons. Firstly non fiction has a much larger share of the market than fiction writing - around 80 percent in fact, and also because there are more different types of non fiction books - cookery, gardening, mind body and spirit to name just three, they tend to be given much more shelf space as well, collectively anyway. Go into a typical book store and you will see what I mean.

Writers who are trying to get their lucky break are told to do several things - read writing magazines, make contacts and attend writers workshops etc. How though is the non fiction writer supposed to do that when there are no such classes or books available to help them? And this is my point.

Some years ago I found a course listed in my local adult education prospectus entitled Creative Writing. It stated in the prospectus that it was suitable for both fiction and non fiction writers and so taking their word for it, I enrolled. It turned out to be an expensive mistake and with hindsight I should have demanded both a refund and an apology.

During the first class the tutor asked us to introduce ourselves and say what we wanted to get from the course. I was one of the only ones there who was not only a published writer, but also actually working on a book, and something therefore tangible. I was also the only non fiction writer in the room. I was then told that the course was predominantly for fiction writers, but we will do non fiction at some point, and was I happy to continue along those lines. I replied that yes I was, as long as it was understood that we would be covering non fiction during the duration of the course. Needless to say, we did not.

I persevered though and did my best to write the fiction homework that was set each week. I found it a struggle though as this type of writing does not come naturally to me - we all after all have different gifts and talents. After a while then I started to bring in parts of the book that I was at that time working on, and read them out in class. The comments were breathtaking in their rudeness and ignorance, with one lady having the audacity to say that I had no right to be there at all, as my writing was not what she thought of as creative. The tutor in the meantime stood there and did precisely nothing. Well after that I did write a very stiff letter of complaint and as a result they stopped advertising those classes as suitable for non fiction writers.

I personally believe that ALL writing is creative, for the simple fact that you are CREATING something - it doesn't matter then what genre you are writing, whether it is fiction, non fiction, horror, science fiction or whatever - ALL writing is creative.

What then is the non fiction writer to do? Network with other non fiction writers (not as difficult as it seems, and most of them I have discovered are more than willing to talk) and then look for the nearest course in Journalism. This is the closest thing you will ever find to a course that will help you - as I have discovered since I began editing my village newsletter.