Showing posts with label environment. Show all posts
Showing posts with label environment. Show all posts

Thursday, May 15, 2008

Green and Blacks (sadly not chocolate!)


My mid week news report from around the publishing world comes via some interesting stories on Publishing News. The first one is entitled "Rand attacks Green excuse". It is, as expected, about the firm sale debate - that is, moves towards firm sale on back list titles in a bid to reduce returns. The industry is understandably perhaps, but also predictably, not exactly happy at the prospect of the risk of these books not selling, being shifted on to them. Personally I think that it is well overdue, and I suspect that the majority of independent authors and publishers would agree with me.

The article states that in his inaugural speech as BA President, Graham Rand of Bertrams/THE (remember that Bertrams are one of the largest wholesalers in the UK and that the wholesalers control the supply chain) attacked what he termed the "green excuse" which is being used by some publishers to impose firm sale on back list titles. He claimed that this move threatened to disturb what had hitherto been "superb cooperation" by all sides of the industry on a range of environmental issues, with members both large and small, deeply concerned.

He went on to say that the returns question is a complex issue (not from where I am sitting) and worthy of discussion, but changes should only be made with agreement, and not imposed (pity Gardners didn't think of that when they dumped those 71 books on me back in February). The best though is yet to come, as he added that any new agreement would need to address the question of compensation if risk moves from one side of the business to the other.

No one compensated me when those aforementioned books were dumped in my living room back in February, and no one even bothered to ask or let me know it was happening, or Richard come to that. No, they just did what they decided was right without even bothering to ask my opinion. I would be fair to say that this was imposed upon me, without discussion and certainly without one single thought as to how it would affect me.

Why then should book sellers have the right to start claiming compensation for this when they do not give us that right? No one points a gun at their heads and forces them to buy certain books, okay maybe the public do, by asking for them, but that is business and if they don’t like that, then they are in the wrong business to begin with. Maybe though they could say that about me, as I have to be fair here and say that I did know that there was a risk that I would have some returns to deal with, but if they want us to play fair with them then that needs to be reciprocal, and so far I have little evidence that it is, or they ever intend to start treating independent authors and publishers fairly. Perhaps more to the point, these are decisions that they make whether or not to buy books, and they should have to live by the consequences of those decisions - what has happened to personal responsibility - and more to the point, why should authors and publishers have to bear the brunt of their mistakes?

The way the industry treats both authors and publishers is in my opinion, little short of blackmail. They have us over the proverbial barrow, as if we refuse to cooperate, they will not sell our books. This may sound extreme, but think on this for a moment, if you will. Independent authors cannot get their books into the majority of stores unless they are available on high discount (at least 40 percent) and sale or return (for this read that the book seller has the right to return those books back to the wholesaler, often in poor condition, at any time within a year). The wholesaler of course also reserves the right to return books to the publisher, should they find that they have too much stock.

If you will not, or cannot do business on these terms, then your books are effectively black listed and you cannot even get through the door. Make no bones about it, this is blackmail, and it is also unfair trading, that keeps authors out and stops them from reaching a maximum audience. After all, the Internet may be booming, but the majority of books are still bought in stores, as nothing can or will replace the thrill of browsing and the book shop atmosphere. Self publishers complain about Amazon and what they are up to, but the real problem in my opinion is the rest of the supply chain. They are the ones we should be wary of.

Maybe there is a risk that booksellers will stock less books, and make fewer sales, but to be quite honest, they will know what it bloody well feels like! Until I managed to push through the closed shop that the publishing industry is to the average self published author, with their outrageous demands of higher and higher discounts, and the right to return books at any time, often in poor condition, within one year of sale, I stood no chance of being stocked in most book stores at all. That well used phrase from the Bible springs to mind "do unto others as you would have done unto you". Another perhaps less spiritual one also to ponder on is - "what goes around comes around".

In the meantime, the industry has unveiled a new green initiative in the form of a brand new website http://www.green4books.org.uk/ aimed at raising environmental awareness within the publishing industry and helping to affect change.

There is of course far more to this issue than just returns, important though that is - it is also about using sustainable paper and ink, non polluting transport for both transporting books and staff, and all those other little things that businesses need - right down to buying fair trade tea and coffee. All these things and more (apart from the tea and coffee perhaps) are discussed in detail on the new site, and I recommend that you take a look.

The Guardian blog also has an interesting article on whether being a successful writer is really worth all the effort, or all it is cracked up to be. Although she was greatly honoured to receive such an accolade, Doris Lessing, winner of the Nobel prize for literature states in the article that since she won the award, she has been so busy giving interviews etc, that she does not have the time to write.

The unpublished or struggling author may find this attitude strange, but actually I can understand where she is coming from. Writers are by nature a solitary bunch. We are good at writing because we are good at observing - people, ideas and situations from a distance, we work best on our own, as we are deep thinkers who need time on our own to perfect our craft, away from distractions. Because of this, we are not so good at publicity and self promotion, shying away from the limelight.

In my case, although I work with the public four days a week, I am far better and far more comfortable communicating via the Internet and by phone than I am face to face (the fact that through my telemarketing campaign I managed to get into all those Waterstones, proves my point). Given the choice and the opportunity, I would much rather have a desk job where I did not have to deal with the public face to face, dealing with their foibles and idiosyncrasies.

Success and failure can, as Joseph Heller points out, both be very difficult to endure. I have had a taste of both, several times, in my 42 years and 11 months on this planet, and I expect I have a lot more of both still to come. Along with success comes the so-called celebrity status, which can lead to various forms of escapism - drink, drugs, etc, but also the break up of relationships, as well as constant doubts as to whether someone is with you for just your fame/money, hangers on, depression, anxiety and so on.

Failure, or what we perceive as failure, also has its price - more anxiety and depression, and feeling that you and what you stand for is a complete and utter waste of time and space. Heck, some writers I know are terrified of success, and deliberately choose not to even try and get published in case they can't cope with a) the rejection and b) any success they do have. This is tragic, as you have to follow your dreams to the end, no matter where they take you.

People often make the mistake of believing that success must always mean monetary success, but it is not about this at all - it is about how you feel about yourself, and it is also about having faith that what you have written will reach the people that need to read it. I did not write my book for myself, I wrote it for others, so that you could learn and grow, understanding more about themselves, and more about this world that we live in.

You may sell 1 million copies of a book, but if no one understands it and it does not contain your heart and your soul, then no one will benefit from this. If the other hand, you sell just one copy of your book, and the message that it contains changes someones life, then you have been successful. I know which I would choose every time, and I know which I fall into as well. That makes me a huge success in my eyes, and that is all that I need to know.

Thursday, November 22, 2007

Taking the Hachette to firm sale


Writers Guild strike in America is intensifying - apparently an unnamed Hollywood studio has lost a $3 million contract because of it to make a film - that will teach them to honour writers a bit more won't it! I am afraid I do not have much sympathy for these people at all, who get rich on the backs of my colleagues across the pond and give them absolutely sweet fa. It is about time these people realised that contrary to popular belief, they need us far more than we need them .... Without writers they would all be out of business fast.

Support from the strike though seems to be coming from all quarters. USA Today reports that motorists driving past Universal Studios on Tuesday afternoon (yesterday) were treated to a cavalcade of stars almost as impressive as the Golden Globes ceremony. These stars were picketing in support of the Writers Guild strike which is now in its 9th day. As long at the strike continues the actors after all cannot work either, and they too are losing money. Mind you, most of them can afford to ...

The entire cast of Brothers and Sisters were there along with Executive Producer and writer Greg Berlanti as well as Matthew Perry from Friends and stars from The Office. Tonight show host Jay Leno rode past on his motorcycle to add his support and Ben Stiller walked down the hill from Universal Studios where he has been directing comedy show Tropic Thunder with a week of shooting still to go. He said, "As a DGA, SAG and WGA member, this is a very tough time. Movies that are in production get affected because no script changes can happen. We had to make sure any rewrites were done before the strike, but changes happen every day. So, I'm saying right now, if this movie's not funny enough next year, it's because of this strike. The writers have always been the ones who didn't get respect. In a way, I wish all the unions could have gone out at the same time, because it would have sent an even stronger message. Studios need to take this seriously." Good for him ! Perhaps writers in the UK should get together and refuse to allow their books into the chain stores until we get a better deal as well ...

This may not in fact be necessary, since environmental issues seem to be coming very much to the forefront in publishing this week, and one of the most overriding issues is of course the vast amounts of books which are pulped each year as publishers print far too many of them. Publishing News reporrs that the book trade's cross party Environmental Action Group, which is chaired by Penguin General MD Helen Fraser has agreed a target for the industry to reduce its carbon emissions by 10% by 2015. The group also believes that environmental initiatives should form part of the criteria for publisher and retailer of the year categories at the British Book Industry Awards, as organised by Publishing News, and also the Bookseller Retail Awards.

A working party is apparently satrting to look at issues such as transport, packaging and paper, as well as perhaps more cruciallym, long term issues connected to the supply chain, in particular, returns.

Last weeks Publishing News reported that the UK's largest publishing group, Hatchette Livre has released an ethical and environmental policy in which it has pledged to start selling its backlist consumer titles on a “firm sale basis”, in consultation with its customers (for this read book sellers) by the end of 2008. The policy document explains as I have said so many times, that the printing and multiple transportation of books that may end up being pulped is both costly and environmentally damaging and they are committed to reducing this practice. They go on to say that the estimated cummulative saving in terms of printing, paper, processing and transport will be in excess of one million books a year.

By the end of 2009, the group also hopes to have moved most all its trade publishing onto Forest Stewardship Council (FSC)-certified paper, and to have made major progress in the same direction for their educational and illustrated publishing. The policy will be introduced gradually across the company's UK publishers starting with Little Brown at the beginning of 2008 and then other UK publishers, including Headline, Hodder & Stoughton, Hodder Education and Orion. I wonder how many of these backlist titles will then be maintained via print on demand. It will be interesting to see what happens here.

The response from book sellers, according to The Bookseller has been mixed. One more enlightened soul indie bookseller Clive Keeble, says that he hopes other publishers will follow suit, as the current system of sale or return is 'archaic and wasteful'. He goes on to say that it is poor business to expect others to subsidise one's business. I like this man and must find out what book shop he runs so that he can stock my book!

However, other booksellers expressed misgivings about what it would mean in terms of range. Waterstone's are said to be circumspect, stating that while they are committed to investigating ways of reducing returns, they had to ensure that any action the industry takes does not threaten specialist booksellers' ability to stock and sell deep range. That is rich I must say, since it due to the business activities of the chain store demanding more and more discounts so that they can have 3 for 2 promotions and so on that the majority of independents are going out of business in the first place!

The downside is that it may lead book sellers to be more wary of stocking back list titles, including mine. As Sheila O'Reilly, owner of indie Dulwich Books says, book sellers have two ways of buying stock - from wholesalers or direct from publishers. If they buy from the publishers direct they get less discount, usually with sale or return; if they buy from from wholesalers we get more discount and the right to return between 5% and 10% of the previous three months' sales. What this in practise means is that they have to have a 5 percent error rate. If firm sale comes in across the board, such book sellers then will be a lot more cautious about ordering such back lists (and books like mine) that do not have a provemn sales record.

Is is fair though to expect as Clive Keeble said, others to subside your business. Personally alhtough I take Sheila O'Reilly's point, I think not. Nobody else has a 5 percent error rate written into their supply contract, so why should book sellers be any different?

More worrying, book sellers may start to demand higher discounts to compensate for this loss, whihc is a move that small presses would strongly resist. Chris Rusbhy, Director of Bertrams, the UK's second largest wholesaler made the point that it is all very well to have green credentials, but there would be a saving that goes along with that, and book sellers should be able to share that saving. They are though missing the point - yes there would be savings in terms of less books being printed, but the books that are printed still have to shipped to the wholesaler, packed and then shipped off again, and this costs the same regardless. Personally I think the book sellers are just being greedy - I mean my book cost me nearly £5000 to write over 5 years, during which time I was not earning money elsewhere as I was writing full time. As it stands, who gets what can be broken down as follows:

book seller £6.00
print costs £4.06
wholesaler £2.25
me £1.60
publisher £1.08

This is why I would strongly then resist such a move and why I see parallels between this and the Writers Guild strike, since it is about the writers right (write!) to earn a decent living wage from doing what they do best. Call me old fashioned, but I believe the lions share should always go the person who created the work and not the one who is selling it.